Moia People
Easter Island
1200 CE
Basalt

show relationship to birdman cult through back carvings
Important ancestors
Toppled by European colonists
Moia People Easter Island 1200 CE Basalt show relationship to birdman cult through back carvings Important ancestors Toppled by European colonists
Nan Madol
Nan Madol
Feather Cape
Hawaii
1850 CE
Feather and fiber

for male nobilities to wear during battle or ceremony
Feather Cape Hawaii 1850 CE Feather and fiber for male nobilities to wear during battle or ceremony "'ahu'ula" yellow and red feathers were rare given as gifts to Europeans
Staff God
Cook Islands
late 18th-early 19th century
wood, paper mulberry bark, feathers

could be the creator god Tangaroa
very sacredly wrapped, to keep in sacred powers
Staff God Cook Islands late 18th-early 19th century wood, paper mulberry bark, feathers could be the creator god Tangaroa very sacredly wrapped, to keep in sacred powers
Wooden sculptures from Nukuoro
Micronesia
late 18th-early 19th century
wood

Each of the figurines bore the name of a specific male or female deity which was associated with a particular extended family group, a priest and a specific temple. They were placed in temples and decorated with loom-woven bands, fine mats, feathers, paint or headdresses.
Wooden sculptures from Nukuoro Micronesia late 18th-early 19th century wood Each of the figurines bore the name of a specific male or female deity which was associated with a particular extended family group, a priest and a specific temple. They were placed in temples and decorated with loom-woven bands, fine mats, feathers, paint or headdresses.
Hiapo (tapa)
Polynesia (Lapita Peoples)
1850-1990
Tapa or barkcloth, free painting

women's art
for clothing, bedding and wall hangings. Textiles were often specially prepared and decorated for people of rank
Tapa was ceremonially displayed on special occasions, such as birthdays and weddings. In sacred contexts, tapa was used to wrap images of deities.
Some hiapo examples include writing, usually names, along the edges of the overall design.
Hiapo (tapa) Polynesia (Lapita Peoples) 1850-1990 Tapa or barkcloth, free painting women's art for clothing, bedding and wall hangings. Textiles were often specially prepared and decorated for people of rank Tapa was ceremonially displayed on special occasions, such as birthdays and weddings. In sacred contexts, tapa was used to wrap images of deities. Some hiapo examples include writing, usually names, along the edges of the overall design.
Buk (mask)
Mabuiag Island
mid to late 19th century
turtle shell, wood, cassowary feathers, fiber, resin, shell, paint

bottom human face
middle face/body of bird
top feathers
many pieces
representation of hero, ancestor, totem
used at masquerade ceremonies
connection to supernatural
Buk (mask) Mabuiag Island mid to late 19th century turtle shell, wood, cassowary feathers, fiber, resin, shell, paint bottom human face middle face/body of bird top feathers many pieces representation of hero, ancestor, totem used at masquerade ceremonies connection to supernatural
Navigation charts (rebbelib)
Marshall islands, Micronesia
19th century
wood, shell

Cowrie or other small shells represent the position of the islands. 
the horizontal and vertical sticks act as supports, while diagonal and curved ones represent wave swells
Navigation charts (rebbelib) Marshall islands, Micronesia 19th century wood, shell Cowrie or other small shells represent the position of the islands. the horizontal and vertical sticks act as supports, while diagonal and curved ones represent wave swells
Malangan
New Ireland, Papua New Guinea
1882-1883
wood, vegetable fiber, pigment and shell 

principally concerned with honoring and dismissing the dead
also act as affirmation of the identity of clan groups
negotiate the transmission of rights to land
made to be used on a single occasion and then destroyed
symbolic of identity, kinship, gender, death, and the spirit world
representations of fish and birds of identifiable species, alluding both to specific myths and the animal's natural characteristics
MASKS--commonly used at funeral rites
both bid farewell to the dead and celebrate the living
can represent ancestors, spiritual spirit
very expensive to create
Malangan New Ireland, Papua New Guinea 1882-1883 wood, vegetable fiber, pigment and shell principally concerned with honoring and dismissing the dead also act as affirmation of the identity of clan groups negotiate the transmission of rights to land made to be used on a single occasion and then destroyed symbolic of identity, kinship, gender, death, and the spirit world representations of fish and birds of identifiable species, alluding both to specific myths and the animal's natural characteristics MASKS--commonly used at funeral rites both bid farewell to the dead and celebrate the living can represent ancestors, spiritual spirit very expensive to create
mana
power, effectiveness, prestige
tapu
Polynesian traditional concept denoting something holy or sacred, with "spiritual restriction" or "implied prohibition"; it involves rules and prohibitions
duality
everything has two opposite parts, principles
diety
god
tatu
tattoo
'ahu'ula
feather cape