Tea is created by using the leaves of a plantknown as Camellis sinensis. This plant is native tomainland China, South and Southeast Asia, but it istoday cultivated across the world in tropical andsubtropical regions. It is an evergreen shrub orsmall tree that is usually trimmed to below 2 m(6. 6 ft) when cultivated for its leaves. It has astrong taproot. The flowers are yellow-white, 2. 5-4cm (0. 98-1. 6 in) in diameter, with 7 to 8 petals. Tea is created by using the leaves of the plant known as Camellis sensis.
This plant is native to mainland China, South and Southeast Asia, but it is today cultivated across the world in tropical and subtropical regions. It is an evergreen shrub or small tree that is usually trimmed to below 2 m (6. 6 ft) when cultivated for its leaves. It has a strong taproot. A tea bag is a small, porous sealed bag containing tea leaves and used with water for brewing the beverage called tea, or herbs or spices for brewing tisanes (also know as “herbal tea”). Tea bags are commonly made of filter paper, silk or food grade plastic.
The bag contains the Tea leaves while the tea is steeped, making it easier to dispose of the leaves, and performs the Same function as a tea infuser. F. Review of related literature This history of Chinese inks can be traced back to the 18th century BC, with the utilization of natural plant dyes, animal, and mineral inks based on such materials as graphite that were ground with water and applied with ink brushes. The India ink used in ancient India since at least the4ath century BC was called masi, and was made of burnt bones, tar, pitch, and other substances applied with sharp pointed needle.
Saffron is well known as the source of a truly brilliant if rather fugitive yellow and there is evidence of its use, both as a colorant and medicine, in the Greek and Persian civilizations of the same period. Indian skill in vegetable dyeing and painting reached a high point in the two centuries from 1600 to 1800 AD, when the painting and resist dyeing of cotton cloth known to us as Chintz became the basis of the largest trade in textiles that the world had ever seen.
The Strasbourg manuscript of an earlier period, also describes the use of a whole range of plants used in the manufacture of inks and water-colours. Later we see developments invegetable block-printing inks in 17th and 18th century Japan where it is interesting to note that some colours were actually leached from previously dyed cloth. Early historical accounts of tea are unclear, for the Chinese character for tea had not been standardized, and several other Chinese characters appear in books referring very likely to the same plant, Camellia Sinensis, what we now call tea.
Tea dyeing is an easy way to mute fabrics or give theman older, antiqued look. Tea stains the fibers and gives a semi-permanent dull brown “dirty” tone to the wholepiece. It is used when you want to “antique” a craft textilesuch as a doll dress or small quilt. Griffiths uses the medium of tea and ink (sometimes graphite, wodka, whiskey, and others) to create the pieces. Tea and ink as a medium has become a trademark for Griffiths in the art world.
